Product Design Air Compressor Set Essay Example | Topics and Well Written Essays - 500 words

Product Design Air Compressor Set - Essay Example This report aims at investigating such a design, keeping in hindsight the requirements of the customer. All of these components would be incorporated in the new design for the customer. The set would have a basic frame of steel with 0.5% carbon content so that the frame is not too brittle to bear the weight of the set. A steel platform would hold the three compressors (it is a multi-compressor unit), the air reservoir/tank, and the motor. A small control panel would be fitted alongside the platform, and the whole set would be enclosed in a fabric glass case. Each compressor would have an independent belt for revolution, with separately adjustable speeds, to be switched on and off on demand. The reservoir would be divided into compartments of volumes of 100 liters each, to be utilised as per the demand. The whole system would be run by a motor attached to a power supply, with a second provisional motor that can be run if desired.

Carrie Chapman Catt Essay Example | Topics and Well Written Essays - 250 words

Carrie Chapman Catt - Essay Example After the ratification of the Nineteenth Amendment in 1920, she organized the League of Women Voters for the political education of women (Levin 2006). Carrie assisted in the arrangement of the International Women Suffrage Alliance at the Berlin Conference. She then committed and restricted herself to the peace movements in 1923.This she made work through lecturing, writing and also recruiting in the Suffrage movement. Her moves were mainly to free women and be allowed to vote and b heard as the. In a nutshell it was all about eradicating male chauvinism (Keller 2006). She was a hardworking lady who never lost hope an even after some members led by Alice Paul had left the union, she strategized and developed a future plan to keep the group alive. After her great achievement of the successful amendment of the constitution, she began a worldwide campaign and tour to help the women develop the right to vote (Levin

Product Design Air Compressor Set Essay Example | Topics and Well Written Essays - 500 words

Product Design Air Compressor Set - Essay Example This report aims at investigating such a design, keeping in hindsight the requirements of the customer. All of these components would be incorporated in the new design for the customer. The set would have a basic frame of steel with 0.5% carbon content so that the frame is not too brittle to bear the weight of the set. A steel platform would hold the three compressors (it is a multi-compressor unit), the air reservoir/tank, and the motor. A small control panel would be fitted alongside the platform, and the whole set would be enclosed in a fabric glass case. Each compressor would have an independent belt for revolution, with separately adjustable speeds, to be switched on and off on demand. The reservoir would be divided into compartments of volumes of 100 liters each, to be utilised as per the demand. The whole system would be run by a motor attached to a power supply, with a second provisional motor that can be run if desired.

Postmodernism, Hyperreality and the Hegemony of Spectacle in New Hollywood Essay Example for Free

Postmodernism, Hyperreality and the Hegemony of Spectacle in New Hollywood Essay After the screening of The Matrix on its first release, a dear cousin of mine, film connoisseur and avid fan of classical movies, spontaneously made the following comment: â€Å"This is an entirely new cinema to me! † If anything, The Matrix is a clear marker of cultural change. A film with state-of-the-art production values like this is bound to elicit in us the belated realization of how slow our response has been to the cultural products of an entirely transformed film industry, that of New Hollywood. My cousin’s casual and unwitting remark reflects the embarrassment felt by both professional critic and layman alike in coping with contemporary movies, especially when we still tend to approach New Hollywood products with the standards of the Old Hollywood cinema. Because of our adherence to tradition, we still tend to look for those classical values of â€Å"development†, â€Å"coherence† and â€Å"unity† in narratives only to find with disappointment that narrative plots become thinner, that characters are reduced to one-dimensional stereotypes and that action is carried through by loosely-linked sequences, built around spectacular stunts, dazzling stars and special effects. Narrative complexity is sacrificed on the altar of spectacle† (Buckland 166) as today’s blockbusters turn out to be nothing but calculated exercises in profit-making, all high-concept, high-gloss and pure show. Similar cries of warning about the loss of narrative integrity to cinematic spectacle have been voiced at different periods, usually at times of crisis or change in the history of the American cinema. One could cite, for example, Bazin’s disdain at the â€Å"displacement of classicism† by the baroque style, marking the end of the pure phase of classical cinema. His coined term, â€Å"superwestern, †designates the â€Å"emergence of a new kind of western† (Kramer 290), that, according to Bazin, â€Å"would be ashamed to be just itself, and looks for some additional interest to justify its existence—an aesthetic, sociological, moral, psychological, political, or erotic interest† (150-1). Similarly, in 1957 Manny Farber, taking his cue from Bazin’s superwestern, laments the â€Å"disappearance of this [classical] roduction system and the closing of action-oriented neighborhood theaters in the 1950s†. He claims that directors like Howard Hawks â€Å"who had flourished in ‘a factory of unpretentious picture-making’ were pushed towards artistic self-consciousness, thematic seriousness, and big-budget spectacle â€Å"(Kramer 293, emphasis added). A decade later, Pauline Kael too expresses her fears at the disintegration of filmic narrative which she attributes to the abrasion of traditional film production in general. She laments not only the emphasis on â€Å"technique† â€Å"purely visual content,† and â€Å"open-ended, elaborate interpretations† of the experimental and innovative art film of the New American Cinema, but as Kramer puts it, she was equally critical of the experiences facilitated by Hollywood’s mainstream releases. The lack of concern for coherent storytelling on the part of producers and directors in charge of the volatile and overblown process of filmmaking was matched by the audience’s enthusiastic response to spectacular attractions and shock effects, irrespective of their degree of narrative motivation. 296) Voices of dissatisfaction were heard at another major turn in the history of Hollywood, that is in the late 1970s, when the â€Å"unprecedented box-office success of Jaws (1975) and Star Wars (1977), signaled Hollywood’s aesthetic, cultural and industrial re-orientation towards movies with more emphasis on special effects and cin ematic spectacle† (Kramer 301). Unlike the classical movies produced on the assembly line under the studio regime (films that respected narrative integrity and refined story ideas into the classical three-act of exposition, complication and resolution), the products of New Hollywood, says critic Richard Schickel, seem â€Å"to have lost or abandoned the art of narrative. [Filmmakers] are generally not refining stories at all, they are spicing up ‘concepts’ (as they like to call them), refining gimmicks, making sure there are no complexities to fur our tongue when it comes time to spread the word of mouth†(3). Contemporary cinema has come to depend so much on shrewd marketing and advertising strategies that its pictures, as Mark Crispin Miller points out, â€Å"like TV ads, aspire to a total ‘look’ and seem more designed than directed† (49). The difficulty that critics nowadays face with films like The Matrix and the new situation in Hollywood, is not only unlike the layman’s inability to assess â€Å"any recent Hollywood film as a discreet textual artifact that is either ‘better’ or ‘worse’ than the artifact produced under the studio regime,† Cook and Bernink note (99). It has also to do with regarding â€Å"the textual form of recent Hollywood as expressive of changed production circumstances that lead to a different kind of textual artifact†(ibid. ). In other words, as we move on in our globalized, high-tech age, it is becoming increasingly difficult to regard any single movie as a self-contained, autonomous text. On the contrary, as Eileen Meehan contends, it has become imperative to look upon any New Hollywood mainstream release â€Å"always and simultaneously as text and commodity, intertext and product line† (31). In order to revise our critical standards and respond effectively to the new status of the contemporary Hollywood movie, we need to grasp the dramatic changes that the American film industry has undergone in the post-classical period, which started right after World War II and culminated to a point of radical transformation in the post-1975 period, which has eventually come to best warrant the term New Hollywood. These changes have been lucidly described in a number of historiographic studies (Ray 1985, Balio 1985, 1990, Schatz 1983, 1993, Gomery 1986, Bernardoni 1991, Corrigan 1991, Hillier 1992, Wasko 1994, Kramer 1998, Neale and Smith 1998, Cook and Bernink 1999) which collectively shed ample light on the completely new situation defining New Hollywood. What has drastically changed is both the ways movies are made and the ways in which Hollywood has been doing business. After the government’s dismantling of the â€Å"vertically-integrated† studio system, the industry turned to producing and selling motion pictures on a film-by-film basis, resulting in the shift of power from studio heads to deal-makers (agents), in the rise of independent producers/directors, and in a more competitive and fragmented movie marketplace (Schatz 9). To the rise of TV and the emergence of other competing media technologies (VCRs, Cable and Satellite TV) Hollywood responded with a re-orientation towards blockbuster movies, â€Å"these high-cost, high-tech, high-stakes, multi-purpose entertainment machines that breed music videos and soundtrack albums, TV series and videocassettes, video games and theme park rides, novelizations and comic books† (Schatz 9). Despite the â€Å"increasingly fragmented but ever more expanding entertainment industry – with its demographics and target audiences, its diversified multimedia conglomerates, its global(ized) markets and new delivery systems†, the calculated blockbuster, as New Hollywood’s feature film, remains the driving force of the industry (ibid. ). This is testified by the monumental success of the blockbuster at the box-office. Schatz cites Variety’s commissioned study of the industry’s all-time commercial hits, in which only 2 movies of the classical period appear to have reached the top, whereas â€Å"90 of the top 100 hits have been produced since 1970, and all of the top 20 since Jaws in 1975†(9). The big-budget, all-star, spectacular hits of the late fifties and early sixties (such as The Ten Commandments, Ben Hur, Cleopatra, or Dr. Zhivago) have some sizable profits to show for (all in the vicinity of $25-to $50 million). By the standards of their age, they were considered colossal box-office successes; however, by today’s standards they seem quite puny contestants to the post-75 era of super-blockbusters which generate record-setting grosses, well beyond the $100 million barrier (always in constant dollars). And such a figure applies only to theatrical rentals, which accounts just for a percentage of the total revenue of a movie which also finds outlets in ancillary markets. he industry’s spectacular growth and expansion (its horizontal integration) is to a great extent owing to the take-over of the majors (Paramount, Fox, Columbia, MCA/Universal) by huge media empires (Warner/Time Communications, Murdoch’s News Corporations, Sony, Matsushita, respectively) forming multimedia conglomerates with diverse interests in the domestic and the global market, with holdings in movies, TV production, cable, records, book and magazine publications, video games, theme parks, consumer electron ics (both software and hardware). These huge corporations provide financial muscle for the multi-million production budgets of the blockbusters (since the production costs have themselves sky-rocketed), but also market muscle for promotion. Marketing and advertising strategies have been the key to the unprecedented success of the New Hollywood movie since Jaws: through pre-selling, usually cashing in on the popularity of a novel published prior to production, a movie becomes a media â€Å"event† by heavy advertising on prime-time TV and the press, as well as by the massive simultaneous release in thousands of mall-based multiplex theaters. Calculated blockbuster productions are carefully designed to ensure the greatest potential profit not only through extended theatrical rental (sequels, re-issues, remakes, director’s cut), but also though capitalization in ancillary markets: soon the movie will come out on videocassette, audio-cassette, novel, computer game, and the increasingly popular since the mid-nineties, DVD, let alone an extended market career through by-products ranging from the CD movie soundtrack to T-shirts and toys, which contribute to the impressive surge in profits. It becomes obvious thus why contemporary movies cannot be conceived of as individual entities and cannot be separately examined from their economic intertext that renders them part (or rather the driving belt) of a larger entertainment machine and advertising campaign. Expensive blockbusters, which in the early days of the post-classical period were the exception and now, as Schatz states, have become the rule, â€Å"are the central output of modern Hollywood. But what, aside from costs, are their dominant characteristics? How are they able to attract, engage and entertain millions of people? asks Warren Buckland (166). The blockbuster syndrome has also changed the movies’ mode of address. Designed around a main idea, what is called â€Å"high concept†, a blockbuster becomes increasingly plot-driven, increasingly visceral, kinetic, fast-paced, increasingly reliant on special effects, increasingly â€Å"fantastic† (and thus apolitical), and increasingly targeted at younger audiences. And significantly enough, the lack of complex characters or plot [as for example] in Star Wars opens the film to other possibilities, notably its amalgamation of genre conventions and its elaborate play of cinematic references. But while these movies enjoy a great popularity among younger audiences, as their huge box-office success indicates, the loss of narrative integrity to spectacle, and the sense of escapism and triviality usually associated with high-gloss, star glamour and dumb show, has driven most academics or old-cinema cinephiles to summarily shun or dismiss blockbusters as merely calculated exercises in shameless profiteering. Warren Buckland thinks that these arguments about the loss of narrative potential in the contemporary feature film are overstated and attempts to reverse the â€Å"unhelpful and hostile evaluative stance† (167) of the critics towards the blockbuster. Focusing on a typical action-adventure blockbuster, Spielberg’s Raiders of the Lost Arc heproposes adopting an analytical and descriptive approach to these films, an approach dubbed by Bordwell and Thompson â€Å"historical oetics. † Part of the argument he makes is that â€Å"historical poetics† can account for the popularity of movies with such a broad appeal (and allows us to take them seriously as aesthetic, cultural objects) â€Å"especially because movies are examined in terms of their individuality, including their response to their historical moment, in which style and composition respond to the historical questions posed in the culture in which the film is made† (168-169). In other words, the issue is not so much about the so-called death of narrative—because narrative is still alive and well—but the emergence of a new kind of narrative, whose meaning is conveyed not through traditional narration but by emphasis on spectacle and the visual impact of the pictures which provide additional narrative pleasure and have changed the patterns of viewer response. Thus Buckland’s concluding remark that â€Å"it is perhaps time to stop condemning the New Hollywood blockbuster and to start, instead, to understand it,† carries more merit than we have been ready to admit. My intention in this essay is to extend the argument about the narrative/ spectacle issue in the direction suggested by Buckland, but within a wider, cultural perspective. The supremacy of the visual and the spectacular over traditional narration in the textual form of contemporary movies is not only expressive of the changed production values and the text’s signifying practices; it is also reflective of the changed cultural patterns and lifestyle habits in postmodernity. Classical cinema favored traditional storytelling because it provided a univocal interpretation of life and reflected a uniformity in entertainment habits: cinema was the predominant form of entertainment, as â€Å"the movies attracted 83 cents of every U. S. dollar spent on recreation† (Ray 26). Its nineties counterpart, with its emphasis on the sensational and the spectacular, on episodic action and generic diversification, is a postmodern cinema entertaining the possibility of multiple signification and the hyperreality of the visual, subject to an increasing commodified experience. As Anne Friedberg puts it, â€Å"today the culture industry takes on different forms: Domestic electronics (fax, modems, cable television) follow the interactive model of dialogic telephone communications. The personal computer turns the home user into a desktop publisher, the microwave turns every cook into an instant gourmet, the Walkman transforms each listener into a radio programmer. Both production and reception have been individualized; the culture industry no longer speaks in a univocal, monolithic voice. 189) This proliferation of entertainment venues offered to the individual points to a general malaise often regarded as the central feature of postmodernism, what Featherstone terms â€Å"the fragmentation and overproduction of culture—the key-feature of consumer culture† (76). As Jameson says, â€Å"in postmodern culture, ‘culture’ itself has become a product in its own right; the market has become a substitute for itself and fully as much a commodity as any of the items it includes within itself† (1991 x). In the â€Å"cultural logics of late capitalism,† Jameson’s code-phrase for postmodernity, what is commodified is not simply the image, which has acquired central role in contemporary culture but lived experience itself. As Guy Debord diagnoses in The Society of the Spectacle, â€Å"everything that was lived directly has moved away into a representation (1983 np). Baudrillard, as Friedberg notes, also talks about â€Å"the same phenomenon—representation of the thing replacing the thing—and extends it into a mise-en- abime of the ‘hyperreal,’ where signs refer only to signs. Hyperreality is not just an inverted relation of sign and signifier, but one of receding reference, a deterrence operation in the signifying chain†(178). A part in this process of the commodification of the sign and the derealization of the real has been played by media technologies, especially electronics, as Vivian Sobchack points out: The postmodern and electronic â€Å"instant† constitutes a form of absolute presence (one abstracted from the continuity that gives meaning to the system past/present/future) and changes the nature of the space it occupies. Without the temporal emphases of historical consciousness and personal history, space becomes abstract, ungrounded, flat—a site for play and display rather than an invested situation in which action â€Å"counts† rather than computes. Such a superficial space can no longer hold the spectator/ user’s interest, but has to stimulate it constantly in the same way a video game does. Its flatness—a function of its lack of temporal thickness and bodily investment—has to attract spectator interest at the surface. In an important sense, electronic space disembodies.

Examining Google Electronic Medical Records Information Technology Essay

Examining Google Electronic Medical Records Information Technology Essay A1) Google electronic medical records are a concept based on how the patients can store their medical records electronically (Plunkett, 2008). All over the world, there are many patients who visit to hospitals when they are ill. It is necessary for them to maintain their medical records. So, if we count each patients visit to the hospital for a year, it would be a big number. In such case, is difficult for the patient to maintain all medical records. So, Google has come up with a new task with all new features that help the patients to maintain their medical records. Google has given a name to this task as Google Health. This Google Health means current medical record storage system. Googles medical record system provides a feature where the patients can enter their medical records. These medical records are stored in a very secure place known as repository. The repository is provided with the best security, where it can be accessed only by the health care providers. Doctors are invi ted to give their advices and send relevant information to the medical records entered by the patients. This system is developed with many features. The features include health profiles for medication, reminder messages for prescription refills, reminder messages for the doctor visits, directories for doctors. The features also include the services for patients to enter their medical records, get advices from the doctors and personal health advices. The main purpose for developing this medical system is to make patients records easily accessible, more complete to streamline recordkeeping (Laudon, Laudon, C., 2008). 2. What are the problems with Americas current medical recordkeeping system? How would electronic medical records alleviate these problems? A2) American current medical recordkeeping system has following problems It is difficult to maintain paper based medical record by patients, as they frequently visit to the hospital. The current record system is difficult to access. The process of accessing the records is time consuming for both patients and doctors. In certain medical emergencies, time is the most critical factor. In such situations, access to the records becomes difficult. There are security issues related to storage and retrieval of the medical records. As the medical records are highly confidential, any theft or unauthorized access to it can create ethical and legal issues. The medical records entered by the patients should be provided with the appropriate security or else the information can be tracked by the internet thefts. So, it is always important to provide security to the data or the medical record of the patients being stored online. Other problem, with the current system is that the medical records are not accessed from multiple locations. If the patient needs to get transfe rred to a hospital across cities, then he needs to carry his medical records. The solution to this problem, as explained in next paragraph, is to switch to electronic. Following features of Electronic medical records will alleviate these problems Google has developed a system called Google Health, which is designed with a purpose of storing the medical records. The main purpose for developing this system is to make patients medical records easily accessible. The system is developed with the best features that enable the patients to easily enter their medical records. This system is developed to benefit patients in storing their medical records. Google is one of the best companies with a dedicated mission to bring up online innovations. The mission is to organise the worlds information and make it universally accessible and useful. This means, the information that is being collected from all over the world should be made accessible and useful. The best way is to switch to electronic health records, which means storing all patients medical records electronically (Carter, 2008). This conversion to electronic health records stands to provide much needed organization and efficiency to the healthcare industry, which is the single l argest segment of Americas Gross Domestic Product. After the discussions between the individuals and the privacy advocates, they made this electronic medical health records to be stored in such a way that decreases the likelihood of privacy invasion (Laudon, Laudon, C., 2008). 3. What management, organization, and technology factors are most critical to the creation and development of electronic medical records? A3) Developing the electronic medical records is not necessary but the most important thing is to maintain the medical records. The health care system is developed with the best features where in patients can enter his or hers medical information (Willis, 2008). There are some factors to which the management is responsible. The management is purely responsible for maintaining each medical record entered by each patient. The management looks after the security provided for the information. The managements work is to look how the records are being handled by the servers. Also, the privacy along with the security, the electronic records stored online is referred by many users in many different fields according to their requirement. Apart from this, the management must also manage their employees payments. The employees are the people who work to accomplish companys tasks. There are some factors to which the organization is responsible. The medical records entered by patients are stored in the databases which are managed by different organizations. These organizations must organise the databases in such a way that the medical records should be stored safely and permanently. These medical records are used by the patients for future retrievals. The organization is also responsible for updating the medical records of the patients and makes them accessible to the users without any trouble. They should also be able to manage, the operations performed by the users. Also, there are some more factors in which the technology can play a major role. The technology that is used and implemented should enhance security of the medical records rather than making the patients worried about their information. The technology that is used should be able to store the data or information to the database without missing any data and also retrieve the required data where and when required (Laudon, Laudon, C., 2008). 4. What are the pros and cons of electronic patient records? Do you think the concerns over digitizing our medical records are valid? Why or why not? A4). Following are the few pros to the electronic patient records: It is easier to create, store and retrieve the information. As all records are stored in single database managed by a single service provider, the expertise can develop at the providers end. The information on electronic patient records can be accessed from anywhere across the world. When storing the medical records of the patients online, concerned databases allow some users to view the records and find solution to their medical problems. Even the doctors can view the advices given by other specialist doctors and can learn more about the medication. As all the medical records are stored electronically, the users can make changes to their records and retrieve the required records from any system just by making use of the internet. Following are the few Cons to the electronic patient records: The primary issue with electronic medical records is the data theft or ensuring that the security of the records is not compromised. The medical record can be either paper based or maintained electronically. In both the cases, the medical records need security. The security to printed records is a traditional and proven process while the security process for the electronic records has not been established so far. The security is provided to the medical records stored electronically by using some best technologies. At some point, these technologies provide limited security to the medical records. There have been many cases in the recent past when the personal data of the user was compromised with. As there is only one single service provider of online medical records, it can also mean a single point of failure. If such a system has to be established, it needs to be done with multiple players. Are concerns over digitizing medical records valid? Why or why not? Digitizing means storing or safeguarding the medical records online electronically by using some types of electronic gadgets. The concept of digitizing is to make the medical records accessible anywhere from the world any time. This concept is beneficial for the users as they can view their records where and when necessary. Sometimes, it may not be good to use this concept, if the security for the medical records is not good as this may lead to the track the medical records of many patients (Laudon, Laudon, C., 2008). If any kind of emergency medical problem arises during the access to the medical records then it can become a critical issue as it means that someones life is at stake (Baren, 2007). 5. Should people entrust Google with their electronic medical records? Why or why not? A5) Google has developed amazing task where it organises all the medical information of the people and make them available to the users when it is necessary. The Google has named the task as Google Healthcare. By the name itself anyone can guess what the concept is all about. We can entrust Google with their electronic medical records as it benefits the users or the patients in many different ways. With this system the patients can enter their medical records, make changes to the records, and retrieve the medical records when necessary. The patients can retrieve and access the medical record from anywhere in the world. This is because of digitizing. Digitizing means the medical records that are entered by the patients are stored electronically. The medical records stored in this way need a very high security as they are chances for the medical records to be viewed by any other users. So, for this sake it is always necessary to provide high and best security for the medical records be ing stored electronically. Google has provided this security facility. Sometimes we may not entrust on Google with its electronic medical records. This is because the security reason. As the medical records entered online are stored in databases these require high security. These databases are managed by different organizations. The databases used should be enough reliable to store the entered medical records, make changes to the medical records and retrieve the medical records when required by the patients. If the database is unable to update the medical records entered by the patients, it may cause a problem when the patient tries to retrieve that medical record (Laudon, Laudon, C., 2008). The concept of digitizing medical records are valid only when the security provided for the medical records is at the highest range when compared to other security features and must be checked by the organizations at times (Tanner, 2007). 6. If you were in charge of designing an electronic medical recordkeeping system, what are some features you would include? What are features you would avoid? A6) Concept of maintain medical records is useful to the users. It is a concept developed by the one of the greatest and biggest companies Google. This concept of Google is mainly about helping users in storing their medical records safely and provides access to their medical records when required by them. It provides the users to enter their medical records which can be accessed by the doctors and give relevant advices to the patients. There are some problems with this concept that were faced by the users. So, as a solution to these problems was to switch to electronic. This means that all the records are maintained electronically where each user is provided with unique username and passwords. If, I am required to design an electronic medical record keeping system, I would include all the required necessary features that will benefit the users of this system. I would also like used technologies which provide the best and high security for the medical records entered by the patients (Grady, 2007). I would provide different features like providing access to the medical records for the patients, organise each health department separately. I would maintain each patients records separately in a well organised manner, provide access to the information when required by different departments. Provide with best database that can store, change and retrieve the medical records entered by the patients. Organise all diseases and allergies according to the type which helps the patients to find the required information for which they are looking for. Provide with a search text for finding the exact solution, provide with lists of doctors of different department their timings of availability. And also provide a text box named as queries where the patients can query and seek for the advices, immediate response and advices to the patients. The things which I would like to avoid are less access speed which consumes patients time, bad or very poor security. Also, would avoid acce ss to medical records by unauthorised users, would avoid databases which are not reliable. Also, avoid limited access to the medical records, would avoid late responses to the queries or advices put by the patients (Laudon, Laudon, C., 2008).

The Problem with Immgration to the United States Essay -- Immigration

The Problem with Immgration to the United States The first move stopping immigration decided by Congress was a law in 1862 restricting American vessels to transport Chinese immigrants to the U.S. The Alien Contract Labor Laws of 1885, 1887, 1888, and 1891 restricted the immigration to the U.S. of people entering the country to work under contracts made before their arrival. Alien skilled laborers, under these laws, were allowed to enter the U.S. to work in new industries. By this time anti-immigrant felling rose with the flood of immigrants and in this period the anti-Catholic, anti-foreign political party the Know-Nothings, was already born. The problems and issues are still much the same today, as they were 150 years ago, but as the numbers and facts show the immigration problem is growing worse and worse. After World War I a marked increase in racism and the growth of isolationist sentiment in the U.S. led to demands for further tightened legislation. In 1921 a congressional act provided for a quota system for immigrants, which the number of aliens of any nationality admitted to the U.S. in a year could not exceed 3 percent of the number of foreign-born residents of that nationality living in the U.S. in 1910. (Potter, Gerald., Congressional Quarterly 1921) This law applied to nations of Europe, the Middle East, Africa, Australia, New Zealand, Asian Russia, and certain islands in the Atlantic and Pacific. In the 1980s concern about the surge of illegal aliens into the U.S. has led Congress to pass legislation aimed at cutting illegal immigration. The Immigration Reform and Control Act of 1986 allows most illegal aliens who have resided in the U.S. regularly since January 1, 1982, to apply for legal status. Also, the law prohibits employers from hiring illegal aliens and mandates penalties for violations. Debate over immigration and immigration policy is not new to the nation's history. From time to time, Congress brought legislation to control the flow of immigration. As immigration rises and hatred grows more laws will be implemented trying to release some of the pressure. Illegal immigration has some pros and cons. Here are some of the so-called â€Å"pros† if they’re really that is debatable. It offers cheaper labor to businesses. By not paying minimum wages to the workers who are willing to work for a lower price, this gives the busi... ...ional handouts they could start to develop something they’ve yet to have the initiative to start. Industry & Hard work! Immigration has taken a great toll on the United States the immigrant population is growing faster then the native born population and it’s about time we do something about it and take back our country not theirs. Sure it’s true that we were all immigrants at one time but just as the constitution changes America has changed as well. We’re no longer the â€Å"Great Melting Pot† we’re our own separate culture and that culture has no more room for illegal immigrants and very minimal room for new immigrants. The idea of closing the borders up is not a â€Å"racial† issue or a â€Å"cultural† issue; it’s a simple matter of self-preservation. It’s the way to keeping our country great and keeping those undesirable for our country out. It’s way past time to find a cure for the Immigration Cancer. Works Cited Conover, Ted. A Journey Through the Secret World of America's Illegal Aliens. Vintage, 1987. Opinion, â€Å"The Immigration Crisis.†, SF Chronicle, July 4th 1998 Dan Carney, " Social Policy " Congressional Quarterly Weekly Report, 9/7/96, Vol. 54 Issue 36, p250 The Problem with Immgration to the United States Essay -- Immigration The Problem with Immgration to the United States The first move stopping immigration decided by Congress was a law in 1862 restricting American vessels to transport Chinese immigrants to the U.S. The Alien Contract Labor Laws of 1885, 1887, 1888, and 1891 restricted the immigration to the U.S. of people entering the country to work under contracts made before their arrival. Alien skilled laborers, under these laws, were allowed to enter the U.S. to work in new industries. By this time anti-immigrant felling rose with the flood of immigrants and in this period the anti-Catholic, anti-foreign political party the Know-Nothings, was already born. The problems and issues are still much the same today, as they were 150 years ago, but as the numbers and facts show the immigration problem is growing worse and worse. After World War I a marked increase in racism and the growth of isolationist sentiment in the U.S. led to demands for further tightened legislation. In 1921 a congressional act provided for a quota system for immigrants, which the number of aliens of any nationality admitted to the U.S. in a year could not exceed 3 percent of the number of foreign-born residents of that nationality living in the U.S. in 1910. (Potter, Gerald., Congressional Quarterly 1921) This law applied to nations of Europe, the Middle East, Africa, Australia, New Zealand, Asian Russia, and certain islands in the Atlantic and Pacific. In the 1980s concern about the surge of illegal aliens into the U.S. has led Congress to pass legislation aimed at cutting illegal immigration. The Immigration Reform and Control Act of 1986 allows most illegal aliens who have resided in the U.S. regularly since January 1, 1982, to apply for legal status. Also, the law prohibits employers from hiring illegal aliens and mandates penalties for violations. Debate over immigration and immigration policy is not new to the nation's history. From time to time, Congress brought legislation to control the flow of immigration. As immigration rises and hatred grows more laws will be implemented trying to release some of the pressure. Illegal immigration has some pros and cons. Here are some of the so-called â€Å"pros† if they’re really that is debatable. It offers cheaper labor to businesses. By not paying minimum wages to the workers who are willing to work for a lower price, this gives the busi... ...ional handouts they could start to develop something they’ve yet to have the initiative to start. Industry & Hard work! Immigration has taken a great toll on the United States the immigrant population is growing faster then the native born population and it’s about time we do something about it and take back our country not theirs. Sure it’s true that we were all immigrants at one time but just as the constitution changes America has changed as well. We’re no longer the â€Å"Great Melting Pot† we’re our own separate culture and that culture has no more room for illegal immigrants and very minimal room for new immigrants. The idea of closing the borders up is not a â€Å"racial† issue or a â€Å"cultural† issue; it’s a simple matter of self-preservation. It’s the way to keeping our country great and keeping those undesirable for our country out. It’s way past time to find a cure for the Immigration Cancer. Works Cited Conover, Ted. A Journey Through the Secret World of America's Illegal Aliens. Vintage, 1987. Opinion, â€Å"The Immigration Crisis.†, SF Chronicle, July 4th 1998 Dan Carney, " Social Policy " Congressional Quarterly Weekly Report, 9/7/96, Vol. 54 Issue 36, p250

The Age Of Reason Essay -- Romanticism Essays

The eighteenth century saw unprecedented growth of literature and the arts in Europe and America. Britain during this time period also enjoyed prolonged periods of civil peace that stood in sharp contrast to the bloody and protracted civil and international conflicts that lasted throughout the 17th century. Furthermore, as the rising middle classes increasingly sought both education and leisure entertainment, the marketplace for artistic production swelled dramatically. One of the most critical elements of the 18th century was the increasing availability of printed material, both for readers and authors. The period was markedly more generally educated than the centuries before. Education was less confined to the upper classes than it had been in centuries, and consequently contributions to science, philosophy, economics, and literature came from all parts of the newly United Kingdom. It was the first time when literacy and a library were all that stood between a person and education . The first half of the century has often been aptly described as the Age of Reason, the Augustan Age and the Neo-classical Age. The very description of this period as Augustan throws light on the prosperity and growth of this period, drawing a direct parallel to the affluent era of Latin literature during the reign of Augustus and in the process, claiming a similar Golden Age of English literature and arts. It was an "age of reason" in that it was an age that accepted clear, rational methods as superior to tradition. The period saw the development and growth of a new attitude towards life and more importantly towards the role of nature around us. Rationalism, as an ideology, gained importance and influenced literary works to a large extent. Rationalism as a philosophical doctrine, asserts that reason and factual analysis, rather than faith, dogma or religious teaching should determine the truth. Such a philosophy provided stability and order to the society and was hence considered as a welcoming change from the chaos that Europe had recently experienced. The Age of Reason, hence, emphasized on the importance to perceive life in a scientific and detached manner. It rejected emotion or fashionable belief and stressed on a more rational, logical and scientific attitude towards life. The discoveries of Isaac Newton, the rationalism of Rà ©nà © Descartes, the skepticism of Pierre Bay... ...ight be taken to include the rise of individualism, as seen by the cult of the artistic genius that was a prominent feature in the Romantic worship of Shakespeare and in the poetry of Wordsworth, to take only two examples; a new emphasis on common language and the depiction of apparently everyday experiences; and experimentation with new, non-classical artistic forms. Romanticism also strongly valued the past. Old forms were valued, ruins were sentimentalized as iconic of the action of Nature on the works of man, and mythic and legendary material which would previously have been seen as "low" culture became a common basis for works of "high" art and literature. Romanticism played an essential role in the national awakening of many Central European peoples lacking their own national states, particularly in Poland, which had recently lost its independence. Revival of ancient myths, customs and traditions by Romanticist poets and painters helped to distinguish their indigenous cultures from those of the dominant nations (Russians, Germans, Austrians, Turks, etc.). Patriotism, revolution and armed struggle for independence also became popular themes in the arts of this period.